- Does the raw, live-in-the-room production on Absolutely feel like a genuine artistic statement or a stylistic gimmick?
- Which track would you play first to convert a friend who thinks the album sounds too messy or unfinished?
- How does Big Mikes function as an opener, and does it prepare you for what the rest of the album actually sounds like?
- What setting or state of mind unlocks Absolutely for you, and when does it not work at all?
- Does the blurring of romantic and religious devotion across the record feel earned, or does it get repetitive by the back half?
Generated by AI to get the conversation going.