- Does the sunnier, more romantic PJ Harvey on this record feel like genuine evolution or a calculated softening of her earlier edge?
- Which track would you play to convince someone who thinks PJ Harvey is too dark or difficult to give her a real shot?
- How does Thom Yorke's presence on This Mess Were In hit you: essential atmosphere or a distraction from Harvey's own voice?
- Does We Float work as a closer, or does the album peak earlier and coast to the finish?
- Twenty-plus years later, does this record still feel like her definitive statement, or has its Mercury Prize reputation aged past the actual music?
Generated by AI to get the conversation going.