- Sympathy for the Devil frames Satan as a charming first-person narrator — does that device feel genuinely dangerous or does familiarity defang it after 50 years?No answers yet
- Brian Jones plays beautifully on No Expectations despite his increasing estrangement from the band — how does knowing his story change how you hear that performance?No answers yet
- Street Fighting Man was recorded during the upheaval of 1968 yet Jagger admits the narrator is resigned rather than revolutionary — does that ambivalence make the song more honest or more cowardly?No answers yet
- Salt of the Earth closes the album with a toast to ordinary people sung by some of the world's most famous rich men — does the song earn its sincerity?No answers yet
- Jimmy Miller strips the production back to near-austerity here — which moment on the record made you feel that restraint most powerfully?No answers yet
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